Transcontinental Trip – Conoley Ospovat

Transcontinental Trip by Conoley Ospovat (release November 8, 2024) is available on Bandcamp, record shops, and eventually on other online purveyors.

Elegant jams, including an ambient work. Limited vinyl run of heavy-weight turquoise vinyl (color center labels, black jacket).

Release notes:
Opening with a jazzy, atmospheric strut, Transcontinental Trip’s title track sets the tone for this record as a more driving, bassline-focused affair than some of Ospovat’s recent downtempo excursions.

The taut restraint & open air vibe of loose drumming & field recordings for Hold On feel like a nonchalant response to Ricardo’s Sei Es Drum.

Then Conoley’s attention to melody & clever programming comes to the fore again on Sunbreaks. The tune is a moody dance floor builder full of twists & turns, before the EP closes out with the carbonated haze of Pacific Coast Rain.

All tracks written and produced by Conoley Ospovat.
Mastering by M.A. Spaventi at MaSpaventi Studio
Cutting/pressing by R.A.N.D. Musik

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Awake Before Dawn – Conoley Ospovat

Awake Before Dawn by Conoley Ospovat (released July 26, 2024) is available on Bandcamp, and other online shops.

Awake Before Dawn is Conoley Ospovat’s sixth album. It is a collection of elegant dance, downtempo, and ambient electronic songs composed in his hometown of Lincoln, Nebraska in late 2022 and early 2023.

He was getting up very early on cold winter mornings around this time. The title track was composed as the sun was coming up over the frozen Nebraska landscape.

Several of the tracks were written in preparation for a tour in Chile (and debuted in Conoley’s live sets there), and several after returning from that tour. Some of the interactions he had on that trip lead to major spiritual realizations/awakenings. ‘You Don’t Need To Worry’ (both versions) is a product of that catharsis.

Representing a variety of compositional/production modes and the excitement of impending movement and the long-awaited arrival of spring, these songs are concoctions flowing out of the power of seasons, extremes in climate, life in one’s hometown again after 15 years abroad, epiphanies, and the magical energy of synthesizers and drum machines.

Perhaps listening to this collection of songs will speak to you in some of these voices, or inspire something inside of you.

Special shout-out to Ian Hyman in Portland, Oregon for lending his time, experienced ears, listening environment, and high-grade pre-mastering touch. 

All tracks written and produced by Conoley Ospovat.
Mastering by M.A. Spaventi at MaSpaventi Studio
Additional processing by Ian Hyman (tracks 1, 2, 3, 4, 5, and 8)

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Dreamin’ – Conoley Ospovat

Dreamin’ by Conoley Ospovat will be released in vinyl and digital formats on April 26, 2024.
It will be available on Bandcamp, and in select record shops.

After a relocation to the Pacific Northwest, Continental Drift’s
Conoley Ospovat turns in a laid-back EP befitting his verdant environs.

Even the most energetic of the selections, Last Month in Lincoln from
the B side, is anchored by an understated groove bopping along far
below the floating chimes & rolling bass-line at its forefront. The pace
across this record is often reminiscent of Melbourne’s Analogue Attic
showcases.

Harwood Summer Nights dispenses with percussion altogether, while
Dreamin’ (Daydream Mix) reimagines the titular downtempo breakbeat
tune as heard through a struggling FM radio receiver a little further up
the beach.

All tracks written and produced by Conoley Ospovat.
Dreamin’ vocals by Lindsey Flowers.

Mastering, lacquer cut, and pressing by R.A.N.D. Musik.
Distribution by Inch By Inch Distribution.

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Shift into The Rogue – Interview with Pier Bucci

Pier Bucci speaks about the story behind his latest EP

Q: Pier, why the Moog Rogue?

P: The story of the Moog Rogue with me started in ’97. I was in New York, and I was with a guy from Nicaragua. I had just bought two pairs of Carhart pants, and one pair was too big for me – I had made a mistake. This guy said ‘Hey listen man, you give me the pair of Carharts, and I will give you this keyboard. The Moog Rogue’. Well, I said yeah, cool! He said ‘I don’t have midi, I don’t have the power supply, I’m not using it..’ So I took it!

After that another friend took it to France, and he got the power supply and everything for the keyboard. Then, when I went to Germany to live in Europe, I met the guy, and he gave me my Moog. And there I started, right? All my career, the track ‘Tita’, with Crosstown Rebels, all my well-known tracks – all were made using that Moog Rogue.

So basically, after 25 years of having this Moog in the studio, I decided to celebrate it’s 25 years with me by doing an album only using the Moog Rogue.

Why the Rogue? Why analogue? Well, it’s a little keyboard. Very simple. Very, very simple. But – and I don’t know how – it is emotional. You cannot dosomething like that, or create this emotional thing, with any digital keyboard or machine – from my point of view. That’s why I love this keyboard. It is one of my best and favorite tools that I have. And that’s why I decided to do this album, and this EP.

Q: What was your intention when you decided to do an EP and an album using only the Moog Rogue?

P: I wanted to just create emotions, and I don’t know.. it was giving me a nice feeling, to be able to make every sound with this Moog. These days, it is very fashionable to use analogue stuff, these synthesizers, these modular systems. That’s why I decided to get the complete analogue sound, and to do an EP with a lot of emotions. Let’s say – a lot of feeling. You know.. as an artist, working on the feeling in music.

Q: Do you think music needs emotions?

P: Well, music, from my point of view, should create more than emotion. It is something that makes people feel things and also makes them think a little bit. Like meditation, or more than mediation – feeling good, you know? For sure, positive emotions are a good feeling, right? And for me, my intention with music is to create aesthetics; beauty; with the notes and with the instruments. That’s why I like so much to use this Moog, or analogue stuff in general – because they are tools that give you fast results. Because they have their own emotion, you know? And, at the same time, the frequencies, the bass lines, and all the sounds are so pure and so crystalline. These things, for me, are elements of aesthetics. And these aesthetic elements are the elements of a song that make you feel and think.

Q: How was the experience doing the EP?

P: The experience was great! Because basically, I finally was able to achieve results similar to the music I like from the 90’s. I really like WARP records, and all this analogue, alternative, positive, very beautiful music from that time. And finally I discovered how they did it! Basically, it really opened my eyes and my feelings to the music I really really like. If you asked me, ‘Pier, which music do you really really like to create?’ I would say it is in that style. Like my tracks ‘Tita’, or ‘Éternelle’, or ‘Pipostrack’. This is the kind of music I like to listen to at home, you know? And it is the kind of music that gives me, like I said before, more emotions and makes me feel, and the sensations are incredible. So the experience was very nice. Quite difficult to do everything with the little Moog.. but it wasn’t so extremely difficult. If you have the right cables, the right tools, and the right system, you can do an album like this. And that was the challenge for me, you know? To do an EP, an album, using only one instrument. And, of course, I decided to do it with the Rogue.

Q: What are you expecting with this EP?

P: Well, first of all, it is very nice to do an EP and release it on the label of a very good friend, you know? And my expectation with this EP is simply that it is a new release where I’m trying to show, in a way, my art. Not just showing my art like an egocentric guy, you know, or something like that. This music showed me, and can show others, that you can do very nice music; that the ways you can create are so open and infinite! And that’s all. That’s all I expect. Good feelings!

Pier Bucci (Costa Rica, October 12, 2022)

More about Pier Bucci at maruca.art

Shift into The Rogue – Pier Bucci (cdrift.026)

 

 

 

 

 

 

‘Shift into The Rogue’ by Pier Bucci was released in digital and vinyl formats on
February 10, 2023. It is available on Bandcamp, digital outlets, and in select
record shops worldwide.

‘Shift into The Rogue’ presents two pieces from an unreleased album Pier Bucci
recorded using only one synthesizer for all parts of the entire project – his longtime
companion, the Moog Rogue.

Combining his unique musical and rhythmic sense, love for alternative electronic
music from the 90’s (particularly sounds coming out on WARP Records at the time),
and the technical abilities gained from years in the studio, Pier has crafted
emotional, groovy, raw yet nuanced works – inspired by ‘the analogue, alternative,
positive, very beautiful music from that time’.

The result is a
masterwork, and a testament to the artistic and technical prowess of

this maestro of electronic music.

‘After 25 years of having this Moog in the studio, I decided to celebrate it’s 25 years
with me by doing an album only using the Moog Rogue. And that was the challenge
for me. To do an EP, an album, using only one instrument.

Why the Rogue? Why analogue? Well, it’s a little keyboard. Very simple. Very, very
simple. But – and I don’t know how – it is emotional. I wanted to create emotions,
and I don’t know.. it was giving me a nice feeling, to be able to make every sound
with this Moog. – Pier Bucci

All tracks written and produced by Pier Bucci.

Artwork and design by Pier Bucci.
Digital masters by Daniel Nieto.
Vinyl masters by Ma Spaventi.
Lacquer cut and pressing by R.A.N.D. Musik.
Distribution by Inch By Inch Distribution.

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Pure Intuition – Conoley Ospovat (cdrift.025)

‘Pure Intuition’ by Conoley Ospovat was released in digital and vinyl formats on November 4, 2022.

It will be available on Bandcamp, digital outlets worldwide, and select record shops.

A Deep Lake is an easy, breezy, sky-blue house tune with a healthy
swing and a carefree bassline. The unhurried slow-build evokes just
the kind of outdoor jam that Ospovat frequents.

There are some small surprises as the record goes on, though.
The more dense, acidic vibe of Thick Air is a club-friendly workout,
while Chasonsa Vibes has an earthy groove with live drums and
half-sung vocals.

The sprightly, Kompakt-esque title track closes out this vibrant EP.

All tracks composed, produced, and mixed by Conoley Ospovat.
Chasonsa Vibes vocals by Chasonsa Women’s Group, Zambia.

Mastered by M.A. Spaventi at Spaventi Studio.
Lacquer cut and pressing by R.A.N.D. Musik.
Distribution by Inch By Inch Distribution.

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Soul Travels – Conoley Ospovat (cdrift.024)

‘Soul Travels’ by Conoley Ospovat will be released in digital and vinyl formats on September 2, 2022.

It will be available on Bandcamp, digital outlets worldwide, and select record shops.

This three-song EP is a thought-provoking, scintillating, surging trip that brims with presence and movement.
‘I’m Still Here’ juxtaposes driving beats and stuttering riffs with samples and vocoded vocals.

Track two, ‘Thoughts Without Words’, is a deep, slushy, percussive strut with some twists and turns.

The EP is rounded out by the title track ‘Soul Travels’; a stripped-down spacious techno jam built around a long vocal sample and sparkling synths.

 

All songs composed, produced, and mixed by Conoley Ospovat.
Mastered by M.A. Spaventi at Spaventi Studio.
Photography and design by Conoley Ospovat.

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Perspectives Shift – Conoley Ospovat (cdrift.023)

‘Perspectives Shift’ by Conoley Ospovat will be released in digital and vinyl formats on July 1, 2022.

It will be available on Bandcamp, digital outlets worldwide, and select record shops.

Number 23 from Continental Drift Records is all about the journey.
These are slowly evolving groovy tracks, never staying totally loopy and often being a bit
sly about the direction they’re headed.

‘Perspectives Shift’ begins as a floating tune centering around a
wandering bassline melody; it gradually churns thick with rhythmic action and counterpoint chords.

‘Deep Summer Techno’ is trippy acid that plays with time and space, floating and dancing in the languid,
stimulating heat and lush green of
a midwestern summer.

Finally, the whole B-side is dedicated to Conoley’s re-work of labelco-owner and
dear friend c_olvrin’s ‘Cryogenic Freezing Of Friends’, a
more Chicago-house excursion
full of groove and many-textured
details.

A1 and A2 composed, produced, and mixed by Conoley Ospovat.
B1 composed, produced and mixed by c_olvrin. Remix and additional production by Conoley Ospovat.

Mastered by M.A. Spaventi at Spaventi Studio.
Lacquer cut and pressing by R.A.N.D. Musik.
Distribution by Inch By Inch Distribution.

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Superlife – Conoley Ospovat (cdrift.022)

‘Superlife’ by Conoley Ospovat will be released in digital format on Bandcamp on June 3, 2022.

These seven songs represent the first electronic works by Conoley Ospovat, recorded in Japan from 2001-2002.
‘Clean’ was composed in Osaka and recorded in Tokyo in August, 2001.
‘Unemployed’ was completed on a thundery wet day in Tokyo in June, 2002.

‘Superlife’ was heavily influenced by the drum and bass, downtempo electronica,
post-punk,
industrial, and jam bands that Conoley had been deep into in the previous
years, and was inspired by his recent arrival in Japan and a live-changing trip to Burma in early 2001.

Gear:
Zoom ST-224 Sampler
Korg A4 Multi-effects processor
Hagstrom Condor electric guitar
BOSS RV-3
Roland VS-880 digital 8-track
Roland MC-303

It will be available on Bandcamp.

All songs written, produced, and recorded by Conoley Ospovat
Mastered by See You Mastering
Artwork and design by Conoley Ospovat

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June 3, 2022

Rise Together – Conoley Ospovat (cdrift.021)

“We should rise up

All my brothers and
All of my sisters, we ain’t got no more
time to waste

To make it, make it better
To make it better

Rise up so high
We can see it from above
And we can see the solution
is just a little more LOVE.”

Warm deep sunshine grooves, rising rising to the tops of mountains.
It’s always summer somewhere, and there’s always sunlight in our souls.

“Rise Together” by Conoley Ospovat (cdrift.021) was released on February 11, 2022.
There will be a limited vinyl run. Heavy-weight black vinyl, color center labels, white jacket.
It can be found on Bandcamp and at various other record outlets.
All songs written, produced, performed, and mixed by Conoley Ospovat
“Rise Together” lyrics and vocals by Lindsey Flowers (adapted from “Rise Up” by Lindsey Flowers)
“Break The Groove” drums by Sam Ospovat
“Break The Groove” bass by Brendan Evans
“On The Right Track” vocals by Carlos Gibbs
Mastered by M.A. Spaventi at Spaventi Studio
Lacquer cut and pressing by R.A.N.D. Musik
Distribution by Inch By Inch Distribution
Photography and design by Conoley Ospovat
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